Browse and buy from our collection of rare or out-of-print posters and prints. Most of these hard to find works are signed by the artists and come in a limited edition size.
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Eyes/Noses/Mouths
24” x 36”
80# Text
Signed offset lithograph
Edition size: See Below
2004
Created to advertise a speaking engagement in San Francisco, there was an original run of 1,500 folded pieces that included printed lecture information and mailed to Bay Area designers and architects. This flat version of the poster was printed without the lecture information (blank on the back) and signed by the artist in silver ink. It is one of approximately 10 signed posters in existence.
Chavez Ravine Blue & Silver
18” x 24”
80# cover
Signed silkscreen
240/500
2024
Ernesto Yerena shares narratives of his conflicts of identity that he feels are kindred to what many Chicanos of experience. His work often depicts his frustrations with oppression in his community as well as creating work in solidarity with the community in the defense of dignity and rights. The artist brings political concerns to light with subject matter that depicts cultural icons, rebels and everyday people voicing their stance against oppression. He also recognizes the unique connection between the Los Angeles Dodgers and the Los Angeles Chicano community. Chavez Ravine, where Dodger stadium is located, is home to the 2024 World Series champs and the reason for this image.
Grateful Dead 50th Anniversary Tour
18” x 24”
80# cover
Unsigned but numbered silkscreen
Printed by Grateful Dead Productions
Edition number 1326/2000
2015
Richey Beckett is a pen and ink illustrator based in rural Wales. He has lent his intricately detailed linework to record covers for some of the world's biggest bands. Drawing inspiration from biblical and natural history illustrators and engravers such as Doré, Durer and Bewick, the decorative flair of Art Nouveau, the striking colours of psychedelia, and the organic textures and patterns of nature, Beckett has crafted his own vivid visual language that expands with each piece. Over the last decade, Beckett has been invited to create artwork for Metallica, Pearl Jam, Jimi Hendrix, The Doors, The Grateful Dead, Foo Fighters, Queens Of The Stone Age, Mastodon, Nine Inch Nails, Jack White, Robert Plant, and Black Sabbath.
Psych Night
16.5” x 19.5”
80# cover
Unsigned digital print
Collected directly from the artist
2017
Simon Berndt is a South African-based illustrator and designer known for 1 Horse Town, his design studio specializing in psychedelic, music-focused poster art. His work blends vintage, hand-sketched, and often silk-screened aesthetics with influences from film, alternative culture, and nature. He has collaborated with bands like Billy Strings, The Black Angels, and clients such as Red Bull.
The Likes of Us
15” x 20”
80# cover
Signed, hand embellished screenprint
Edition number 21 of 100
2017
Maya Hayuk is a Ukrainian-American artist who weaves visual information from her immediate surroundings into elaborate, painterly abstractions. Her large-scale, improvised murals speak to the artist’s obsession with symmetry, “perfect imperfection” and outer/ inner space. Her works look to expanding consciousness and perception to find patterns and interconnectivity. Her work has been the subject of one person exhibitions and commissions at venues including FRAC Museum in Dunkerque, The Ukrainian Museum New York, The Bowery Wall in NY, The Hammer Museum in Los Angeles, The Museum Of Contemporary Canadian Art in Toronto, and The Bonnefanten Museum in The Netherlands.
Makibaka! Huwag Matakot! (Fight, Do Not be Afraid)
16” x 20”
80# cover
Signed screenprint
Edition number 113/127
2020
Kill Joy is a Houston-based Filipino American artist, printmaker, and muralist recognized for vibrant, story-telling imagery that centers on environmentalism, social justice, and mythology. Her work often features bold line work, relief printing, and even giant puppets aimed at fostering community solidarity and highlighting ecological resilience.
Ode to Joy
18” x 18”
100# cover
Signed silkscreen
Printers proof from edition of 100
2020
John Van Hamersveld is an American graphic artist, illustrator, and designer whose bold, psychedelic imagery helped define the visual language of 1960s and 1970s popular culture including his now-iconic The Endless Summer surf poster. Over a career spanning more than six decades, he has created hundreds of album covers and posters, merging fine-art sensibility with the immediacy of mass culture and the visual energy of music and surf communities.
Daydream Magic
24” circular tondo
290 gsm coventry rag
Signed 4 color screenprint
Edition number 65 /150
2020
Australian husband-and-wife visual artists, DABSMYLA, employ a shared design language that dictates subject matter, positioning, color theory and perspective. With this established framework and unspoken set of rules, strengthened by over a decade of working together, their singular goal is to tell an expansive story that is wholly unique to their own experiences. DABSMYLA creates interactive installations featuring paintings inspired by graffiti, mid-century illustration, and the Golden Age of American animation.
Amos Lee, Spring Tour 2022
18” x 24”
80” cover
Signed silkscreen
Edition number 3/20
2022
Justin Santora's work is complex in process and thought but simple in beauty. The ideas of innocence and the loss there-of, the weaving memories that shape our lives and the longing of someone who is outside looking in are all prevalent in the composition of Justin's work. The nostalgia of childhood that lingers on into our adult lives and the paths of daydreams we want to lose ourselves in are inherent in his art. The starkness of the landscapes and the muted panes of colour form an emotional bond with the subject matter of the pieces through the painstakingly detailed fine lines and scratchings of the drawings themselves.
Astro Bear
18” x 24”
100# smooth cover
Signed screenprint
Edition number 15 of 125
2010-2020 (?)
fnnch creates street art and murals using multi-layered stencils and spray paint. He calls his work “contemporary pop art”, depicting objects from both nature and everyday life. Over time his work has gained a strong following on social media and has been featured by The New York Times, Washington Post, and San Francisco Chronicle.
Time With You is a Dream Come True
23” x 30”
100# Sappi McCoy Silk paper
Signed 12 color screenprint
Edition number 34/150
Australian husband-and-wife visual artists, DABSMYLA, employ a shared design language that dictates subject matter, positioning, color theory and perspective. With this established framework and unspoken set of rules, strengthened by over a decade of working together, their singular goal is to tell an expansive story that is wholly unique to their own experiences. DABSMYLA creates interactive installations featuring paintings inspired by graffiti, mid-century illustration, and the Golden Age of American animation.
Kalevala Cat
18” x 24”
80# cover
Signed silkscreen
Edition number 29/100
2017
Ravi Zupa is inspired by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. His work has been exhibited at the Museum of Fine Arts in Boston, the Ft. Wayne Museum of Art, MAIA Contemporary, the Denver Art Museum, and Hashimoto Contemporary.
Nickel Creek, 8/25/14
18” x 24”
80# cover
Signed silkscreen
Edition number 134/175
2014
Justin Helton established Status Serigraph over 20 years ago as a full service design studio specializing in limited-edition concert posters and design for the music industry. With clients including the Grateful Dead, Van Morrison, Phish, Dave Matthews Band and many more, Justin and Status Serigraph has a reputation of creating some of the most recognizable contemporary live music posters.
Phish, 2/23-26/23
18” x 24”
80# cover
Silkscreen (the edition was numbered by the artist but not signed)
Edition number 115/150
Bene Rohlmann (b. 1985) is known for his bold, colorful, and detailed work combining collage, drawing, and diverse influences heavily inspired by comics, cartoons, vintage packaging and advertising (especially matchboxes), pop culture and folk art from North America, Mexico and Japan. He creates editorial illustrations, gig posters, and, skateboard designs for clients like The New York Times, Google, and Nike.
Festaal-x Berg
20.5” x 28.5”
80# cover
Unsigned silkscreen
Edition number 34/75
2008
Bongoût was a Berlin-based artist-run screen printing workshop founded by Christian Gfeller and Anna Hellsgard and ran from 1996 to 2012. They’re known for producing high-quality silkscreened art books, zines, and prints. Their work is featured in major international collections including New York’s MoMA and the Art Institute of Chicago.
Neko Case, 6/9-10/09
24” x 30”
80# cover
Signed silkscreen
Edition number 60/180
2009
Chuck Sperry’s artwork has been exhibited at leading art institutions including the San Francisco Museum of Modern Art, the Yerba Buena Center for the Arts, and the Fort Wayne Museum of Art. His his prints are in the permanent collections of SFMOMA, the Achenbach Foundation for Graphic Arts, The Oakland Museum of California, The Fort Wayne Museum of Art, San Francisco Public Library (Main Branch), the United States Library of Congress, and the Rock and Roll Hall of Fame. He has been featured in The New York Times, New York Post, San Francisco Chronicle, Rolling Stone, Billboard, Vice, Spin, Relix, Hi-Fructose, Juxtapoz, and many more.
Vaccination Clinic
19” x 25”
80# cover
Signed silkscreen
Edition number 22/50
2020
Powers began his career as the graffiti artist ESPO. He has exhibited internationally including at SFMOMA, the Brooklyn Museum, Deitch Projects, the 49th Venice Biennale, Apex Art, the Brazilian Cultural Pavilion, Art In The Streets curated by Jeffrey Deitch at MOCA Los Angeles, and as part of the Beautiful Losers exhibition.
Phil Lesh and Friends
18” x 24”
80# cover
Signed silkscreen
Edition number 33/40 (from the artist’s allotment)
2024
Taylor Rushing earned a Master of Fine Art from the University of Wisconsin and opened Not Bad Illustration. His work is defined by hand drawn typography and illustrations of a wide variety of colorful characters. He has created posters for Austin City Limits, Phish, Nathaniel Rateliff, The Dave Matthews Band, The Black Keys, Green Day, Pearl Jam, and many more.
Mudhoney, 5/17/22
18” x 24”
80# cover
Signed screenprint
Edition number 43/50
Francisco Ramirez graduated from Columbia College of Chicago and has been screen printing ever since He’s designed and printed posters for Mudhoney, The Melvins, Die Kreuzen, Swans, Mastodon, Unsane, Guided by Voices, Redd Cross and more. In 2020, his Black Lives Matter print was acquired by The Whitney Museum of American Art.
John Williams and Jaws
15.5” x 24”
80# cover
Unsigned silkscreen
2018
A contemporary American pop-artist, graphic designer, photographer, director, and musician, Kii has created over 500 pieces for artists such as Dolly Parton, The Rolling Stones, Lady Gaga, Radiohead, Paul McCartney, Kacey Musgraves, Bernie Sanders, Beck, DEVO, Diana Ross, Lana Del Rey, The Doors, PIXIES, Glen Campbell, Tame Impala, The Replacements, Hollywood Bowl, Coachella, and Desert Trip.
Burque Couple
18” x 24”
80# cover
Signed silkscreen
Edition number 1/1
2016
Mike Giant is a renowned American graffiti artist, illustrator, tattoo artist, and co-founder of the REBEL8 apparel brand. He’s known for his intricate black and white, sharpie drawings influenced by Mexican street art. He gained prominence in the 1990s through his work for Think Skateboards. Giant remains dedicated to exploring the intersections of art, culture, and identity. His contributions to street art and contemporary practices have established him as a significant figure in the ongoing dialogue surrounding urban art forms.
Gemini Rising
18” x 24”
80# cover
Signed block print
Edition number 137/200
Nathaniel Russell was born and raised in Indiana. After college, Russell spent several years in the San Francisco Bay Area making posters, record covers, and woodcuts. He returned to his home city of Indianapolis and now spends his time creating drawings, fake fliers, bad sculptures, wood shapes, and music. Russell’s work is regularly shown around the world in both traditional galleries and informal spaces, usually surrounded by an expanding list of friends, collaborators, and like-minded folk. He frequently returns to his second home of California to work with friends on projects as varied as murals, print workshops, and backyard musical performances.
The Jesus Lizard, 9/9/15
18.5” x 26”
80# cover
Stamped silkscreen
Edition number 69/150
Bongoût was a Berlin-based artist-run screen printing workshop founded by Christian Gfeller and Anna Hellsgard and ran from 1996 to 2012. They’re known for producing high-quality silkscreened art books, zines, and prints. Their work is featured in major international collections including New York’s MoMA and the Art Institute of Chicago.
Dead and Company, 5/28/23
18” x 24”
80# cover
Signed silkscreen
Edition number: artist proof from a run of 1910
Drew Findley is a well known and much loved illustrator and poster artist working for national and international music acts. He is the owner of Subject Matter Studio in Asheville, North Carolina.
Fact or Faith
20”x26”
80# Cover
Signed silkscreen with gloss and glitter
Edition number 19/50
2016
Cyrcle was established in Los Angeles by artists Davey Leavitt and Rabi Towing. They existed as street artists, graphic designers, and traditional fine artists until they decided to retire Cyrcle and establish independent artistic careers. The glitter is in the green circle and did not render properly in the product photo.
Newport Folk Festival
18” x 24”
100# cover
Signed screenprint
Edition number 16/25
2020
Brian Steely is an artist and designer known for bold, graphic work that blends clean line work and design with a strong sense of craft. With a background that bridges illustration and branding, he creates distinctive visuals that feel both timeless and unexpected. Whether he’s designing gig posters, building identities or standalone artwork, Brian’s focus is always on strong concepts, meticulous detail, and pieces that people genuinely connect with.
Treading Water
18” x 24”
80# cream speckletone cover
Signed silkscreen
Edition number 310/500
2024
Shepard Fairey designed the Barack Obama "Hope" poster for the 2008 U.S. presidential election. The Institute of Contemporary Art, Boston, has described him as one of the best known and most influential street artists. His work is included in the collections at The Smithsonian; the Los Angeles County Museum of Art; the Museum of Modern Art in New York City; the Museum of Contemporary Art San Diego; the National Portrait Gallery in Washington, D.C.; the Virginia Museum of Fine Arts in Richmond; and the Victoria and Albert Museum in London.
Black Lives Matter
18” x 24”
100# cover
Signed screenprint
Edition number 6/100
2020
Powers began his career as the graffiti artist ESPO. He has exhibited internationally including at SFMOMA, the Brooklyn Museum, Deitch Projects, the 49th Venice Biennale, Apex Art, the Brazilian Cultural Pavilion, Art In The Streets curated by Jeffrey Deitch at MOCA Los Angeles, and as part of the Beautiful Losers exhibition.
Lotus Ornament Black
18” x 24”
80# cream speckletone cover
Signed silkscreen
Edition number 68/300
2008
Shepard Fairey designed the Barack Obama "Hope" poster for the 2008 U.S. presidential election. The Institute of Contemporary Art, Boston, has described him as one of the best known and most influential street artists. His work is included in the collections at The Smithsonian; the Los Angeles County Museum of Art; the Museum of Modern Art in New York City; the Museum of Contemporary Art San Diego; the National Portrait Gallery in Washington, D.C.; the Virginia Museum of Fine Arts in Richmond; and the Victoria and Albert Museum in London.
Tribal
18” x 24”
80# cover stock
Signed
Edition number 94/300
2024
Shepard Fairey designed the Barack Obama "Hope" poster for the 2008 U.S. presidential election. The Institute of Contemporary Art, Boston, has described him as one of the best known and most influential street artists. His work is included in the collections at The Smithsonian; the Los Angeles County Museum of Art; the Museum of Modern Art in New York City; the Museum of Contemporary Art San Diego; the National Portrait Gallery in Washington, D.C.; the Virginia Museum of Fine Arts in Richmond; and the Victoria and Albert Museum in London.
Walking Through Walls
16” x 21.75”
100# cardstock
Signed letterpress print
Edition number 36/100
Gary Baseman is a Los Angeles-based artist. He transforms everyday observations and experiences into art that includes drawing, painting, photography, video, installation art, performance, as well as fashion, toy design and social media. His work has been exhibited in museums and galleries throughout the United States, as well as in Brazil, Canada, China, France, Germany, Hong Kong, Israel, Italy, Mexico, New Zealand, the Philippines, Russia, Spain, Taiwan, Thailand, and the United Kingdom.
Pixes, 7/31/18
28” x 24”
80# cover
Signed silkscreen
Edition number 18/50
2018
Ravi Zupa is inspired by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. His work has been exhibited at the Museum of Fine Arts in Boston, the Ft. Wayne Museum of Art, MAIA Contemporary, the Denver Art Museum, and Hashimoto Contemporary.
Exhibition poster
18” x 24”
80# cover
Signed silkscreen
Open edition
2024
FAILE is the Brooklyn-based artistic collaboration between Patrick McNeil and Patrick Miller. Their name is an anagram of their first project, “A life.” Since its inception in 1999, FAILE has been known for a wide ranging multimedia practice recognizable for its explorations of duality through a fragmented style of appropriation and collage. FAILE’s work is constructed from found visual imagery, and blurs the line between “high” and “low” culture. Recent exhibitions include the Straat Museum in Amsterdam and the Ft. Wayne Museum of Art.
AIGA Lecture, 4/4/02
24” x 36”
80# cover
Offset lithograph
Very limited open edition
Designed by Victor Moscoso, this very rare poster was produced in conjunction with an AIGA lecture at the San Francisco Museum on Modern Art. An edition of 1,500 pieces was printed on thin stock and mailed to AIGA members. Another (approximately) 150 posters were printed on heavier stock (blank back) and were available for sale after the lecture. The design includes a popular Moscoso color treatment that allows the artwork to move when viewed through alternating red and blue filtered lenses.
Moscoso was the first of the rock poster artists of the 60’s era with formal academic training and experience. After studying art at Cooper Union in New York City and at Yale University, he moved to San Francisco in 1959. There, he attended the San Francisco Art Institute, where he eventually became an instructor. Moscoso's use of vibrating colors was influenced by painter Josef Albers, one of his teachers at Yale. He was the first of the rock poster artists to use photographic collage in many of his posters. Moscoso's posters for the Family Dog dance-concerts at the Avalon Ballroom and his Neon Rose posters for the Matrix were to brought his work international attention in the "Summer of Love", 1967. His work can be found in the Victoria and Albert Museum, the Tate, New York’s MOMA, the US Library of Congress and many other museums around the world.
Bodega Special: Now and Later
20” x 30”
80# cover
Signed and stamped silkscreen
Edition number 9/10
2025
Peter “Paid” Levine has over forty years of experience in the art world, from graffiti art, album cover design, sign design, logo creation, and corporate branding. He transitioned his own unique style into a focused studio practice. Merging the past, present, and future, in vivid color and familiar old school forms, Peter is intent on blurring the lines between commercial sign painting and fine art. With a brush, a spray can, and a life-long Hip Hop resume, he uses classic sign painting techniques to tell the tales of street culture.
We Are The Night
19” x 25”
80# cover
Signed silkscreen
Edition number 101/150
2020
Chad Eaton grew up in southern California. A fan of screen printing, he practices on sheets of paper and then t-shirts. His style is hatched, essentially black and white, but also very organic. Nature is omnipresent in his visuals, in particular motifs linked to the forest: logs, axes, bears, fir trees, etc. In 2006, he created the Timber! label and continues to illustrations for clients including those in the skateboard industry.
My Daddy’s Gun
18” x 24”
100# cover
Signed silkscreen
Edition number 60/100
Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967 to 1980. In early 1967, he became involved with the Black Arts Movement at San Francisco State University as a set designer for the Black Communications Project. Douglas met Huey Newton and Bobby Seale, founders of the Black Panther Party, at a meeting regarding the organization’s security detail for Betty Shabazz’s upcoming visit to San Francisco. After this encounter, Douglas joined the Panthers and began going on police patrols in Oakland, where he met many of the community people who would later be the inspiration and subject for his work.
Douglas is most noted for his political drawings and cartoons in the Black Panther Newspaper. His provocative style visually articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban Black youth to resist police violence, and the need for community-based social programs. In addition, Douglas’s use of rich colors, dark bold edging, and photos of everyday Black people to make collages created an authentic style that expressed the ideological platform of the Black Panthers and the heightened community consciousness of Black Power as a political concept.
The Black Keys, 7/13/22
18” x 24”
80# cover
Signed silkscreen
Edition number 66/480
2022
Ravi Zupa is inspired by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. His work has been exhibited at the Museum of Fine Arts in Boston, the Ft. Wayne Museum of Art, MAIA Contemporary, the Denver Art Museum, and Hashimoto Contemporary.
Wilco, 9/9/16
18” x 24”
80# cover stock
Unsigned silkscreen
Edition number 155/205
2016
With over a decade and a half of design experience, José Garcia is the founder of ZOCA. He is constantly pushing forward with a relentless drive to explore, create, and deliver meaningful creative solutions, especially in the realm of gig posters where he excels. He has created posters for Wilco, Death Cab for Cutie, Jeff Tweedy, Alabama Shakes, Mumford & Sons, Goose, and more.
All Good Things
14” x 18”
80# cover
Signed silkscreen
Artist proof #6 from edition of 25
2019
Greg Lamarche's collages combine the city's relentless rhythm and graffiti's aggressive presence to express the power, elegance and rebelliousness of urban creativity. Using found materials and commercially printed papers from his vast collection of vintage printed matter, Lamarche abstracts graffiti's visual language, playing with a profusion of font styles, word fragments, multiple layers, bold colors, rhythmic repetition, multiple perspective and movement. Each unique work of precisely hand-cut paper thus becomes an interplay of the directness of graphic design and the aesthetics of fine art. He has been featured in numerous publications including The New York Times, San Francisco Chronicle, Boston Phoenix, Print, Juxtapoz, Modern Painters, The Financial Times and Arkitip among others.
Night Time is My Time
22.5” x 30”
250 gsm stonehenge with deckled edge
Signed, hand-embellished screen print
Edition number 7/10
2018
Dee Dee is a New York City based artist known for bringing art of surreal cinematic daydreams and nightmares onto the streets. Dee Dee is a ghost who prefers to let the art speak for itself, in an urban setting where everyone can view and enjoy.
Jajouka House
19.75” x 27.75”
80# smooth cover
Silkscreen, signed and stamped on the back
Unique printed piece
2024
Indonesia based artist Kendra Ahmisa is better known by Ardneks. He’s known for his psychedelic dreamscapes and fusions of cultural nostalgia. His work for musicians and festivals including Japanese Breakfast, Khruangbin, Desert Daze, Lallapalooza and others has garnered him a cult following. He has also completed commissions for the New York Times, the Los Angeles Times, the Cannes Film Festival and clients throughout Asia.
Kalavela Dog
18” x 24”
80# cover
Signed silkscreen
Edition number 29/100
2017
Ravi Zupa is inspired by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. His work has been exhibited at the Museum of Fine Arts in Boston, the Ft. Wayne Museum of Art, MAIA Contemporary, the Denver Art Museum, and Hashimoto Contemporary.
Phish, 9/1-4/22
18” x 24”
100# cover
Signed silkscreen
Edition number 105/150
2022
Johnny Dombrowski is an award-winning illustrator based in New York City whose work is grounded in classic comic book art. His work for the music industry as well as clients like Entertainment Weekly, Sports Illustrated, ESPN, Upper Deck, and DC Comics keeps his work in high demand.
Mudhoney, 5/30/08
20” x 26”
100# cover
Signed silkscreen
Edition number 70/300
Jay Ryan established a reputation for hand-drawn text and a computer-free design process. His prints aim to attain the same goals as other concert posters, but using raccoons and toasters instead of skulls, breasts and hot rods. From 2002-2007, Jay served as Vice President of the American Poster Institute, a non-profit group which manages the successful FLATSTOCK series of poster shows.
Nomadic Sound Experiment No. 2
19” x 25”
80# cover
Unsigned silkscreen
Open edition of unknown quantity
2008
Sonnenzimmer is the collaborative practice of artists Nick Butcher & Nadine Nakanishi. Theye began working together in the early 2000’s combining a love for visual art, typography, graphic design, printmaking, and music in the form of screen printed concert posters. Supported by Chicago’s thriving improvised music community, they developed an experimental approach to graphic expression that tested the limits of abstraction, legibility, communication, and the medium of print. Their graphic practice has grown to include exhibitions, publishing, performance, commissioned graphic design, and even music.
AIGA Membership Poster
24” x 36”
80# cover
Signed lithograph
Edition number 23/150
2003
Born in Oklahoma, Michael Schwab works in Northern California and has established a national reputation as one of America’s leading graphic artists. He has created national award-winning logos and posters for a remarkable list of prestigious clients, including Apple, Amtrak, the Golden Gate National Parks, Major League Baseball, Robert Mondavi, Muhammad Ali, Nike, Pebble Beach, Polo Ralph Lauren, Robert Redford, San Francisco Opera, Sundance, Sunset Books and Wells Fargo, among others. His work is easily recognized by his signature use of large, flat areas of color, dramatic perspectives and bold, graphic images of archetypal human forms.
Make Ready Monotype
18” x 24”
80# cover
Unsigned silkscreen
Edition number 1/1
2010
Sonnenzimmer is the collaborative practice of artists Nick Butcher & Nadine Nakanishi. Theye began working together in the early 2000’s combining a love for visual art, typography, graphic design, printmaking, and music in the form of screen printed concert posters. Supported by Chicago’s thriving improvised music community, they developed an experimental approach to graphic expression that tested the limits of abstraction, legibility, communication, and the medium of print. Their graphic practice has grown to include exhibitions, publishing, performance, commissioned graphic design, and even music.
Letter T
18” x 24”
80# cover
Unsigned silkscreen
Limited edition of 100 pieces but not numbered
2011
TEMPT1 (aka Tony Quan) was a Los Angeles-based artist, activist and publisher. In his 25+ year career, he has curated art shows, done commission work for Tribal Gear and Third Rail clothing, mentored youth, spoken at the United Nations and created an international publication on street and urban art. In 2003, he was diagnosed with ALS (aka Lou Gehrig’s Disease), a degenerative neuromuscular disease that results in full paralysis. Never one to give up, Tempt collaborated with the Not Impossible Foundation and Graffiti Research Labs to create Eyewriter, software that allows people with paralysis to draw with their eyes. This piece was created with the software by Tony. The artwork was part of the Getting Upper exhibition at the Pasadena Museum of California Art. The print was published in an edition of 100. The majority of the edition was recycled when the museum closed their store and folded. Approximately 15 copies still exist.
https://archive.nytimes.com/tmagazine.blogs.nytimes.com/2011/05/12/seeing-things-getting-upper/
Spafford, 9/20/23
18” x 24”
80# cover
Signed screenprint
Edition number 18/23 (artist edition)
2023
Drew Findley is a well known and much loved illustrator and poster artist working for national and international music acts. He is the owner of Subject Matter Studio in Asheville, North Carolina.
High Fidelity
18” x 24”
100# cover
Signed silkscreen
Edition number 10/30
Carlos is a founding partner of Burning Bones Press and has served as an instructor at Rice University’s Department of Visual and Dramatic Arts. He served as the 2019 Artist-In-Residence at the renowned Hatch Show Print, culminating in a show at the Haley Gallery and becoming a part of the print collection at The Smithsonian Institute and the Library of Congress.
La Fete Nationale for Chez Panisse
17” x 24”
100# smooth cover
Signed lithograph
Edition number 93 of 125
2018
David Lance Goins is known for his artisan's approach to design and involved himself in all phases of production, from making ink colors to final printing. His work has been the subject of solo exhibitions and is represented in the permanent collections of numerous museums, including the Metropolitan Museum of Art and the Achenbach Collection of the Fine Arts Museums of San Francisco. He is also the author and publisher of a variety of books.